1878 - 1952
Ferenc Molnár Hungarian Writer
10
Ferenc Molnár dating history
Relationships
Ferenc Molnár was previously married to Lili Darvas (1926 - 1952), Sári Fedák (1922 - 1925) and Margit Vészi (1906 - 1910).
Ferenc Molnár had an encounter with Marlene Dietrich (1933).
About
Hungarian Writer Ferenc Molnár was born Neumann Ferenc on 12th January, 1878 in Budapest, Austria-Hungary [now Hungary] and passed away on 1st Apr 1952 New York City, New York, USA aged 74. He is most remembered for Az ördög. His zodiac sign is Capricorn.
Relationship Statistics
| Type | Total | Longest | Average | Shortest |
|---|
| Married | 3 |
26 years
|
11 years
|
3 years
|
|---|
| Encounter | 1 |
-
|
-
|
-
|
|---|
| Total | 4 |
26 years
|
8 years, 3 months
|
3 years
|
|---|
Details
| First Name |
Ferenc
|
| Last Name |
Molnár
|
| Full Name at Birth |
Neumann Ferenc
|
| Alternative Name |
Neumann Ferenc, Ferenc Neumann, Ferenc Molnár, Ference Molnar, Franz Molnar
|
| Birthday |
12th January, 1878
|
| Birthplace |
Budapest, Austria-Hungary [now Hungary]
|
| Died |
1st April, 1952
|
| Place of Death |
New York City, New York, USA
|
| Buried |
Linden Hill Cemetery, Ridgewood, Queens
|
| Build |
Large
|
| Hair Color |
Salt and Pepper
|
| Zodiac Sign |
Capricorn
|
| Sexuality |
Straight
|
| Religion |
Jewish
|
| Ethnicity |
White
|
| Nationality |
Hungarian
|
| Occupation Text |
Novelist, Journalist, Playwriter Actor
|
| Occupation |
Writer
|
| Claim to Fame |
Az ördög
|
| Year(s) Active |
1908-1952, 1901–1952
|
Ferenc Molnár ( FERR-ents MOHL-nar, -ənts -, - MAWL-, born Ferenc Neumann; 12 January 1878 – 1 April 1952), often anglicized as Franz Molnar, was a Hungarian-born author, stage-director, dramatist, and poet, widely regarded as Hungary’s most celebrated and controversial playwright. His primary aim through his writing was to entertain by transforming his personal experiences into literary works of art. He was never connected to any one literary movement but he did utilize the precepts of naturalism, Neo-Romanticism, Expressionism, and the Freudian psychoanalytical concepts, but only as long as they suited his desires. “By fusing the realistic narrative and stage tradition of Hungary with Western influences into a cosmopolitan amalgam, Molnár emerged as a versatile artist whose style was uniquely his own.”
